What’s more important, story editing or copy editing?

If you could only afford one round of editing, should it be developmental editing or copy editing? Developmental (content) editing ensures that your story is strong and vital. Copy editing (or line editing) crosses all the t’s and dots all the i’s. A purchase-worthy book needs both—but whether you’re hoping to be picked up by a publishing house or planning to publish independently, you may find yourself with the budget for only one or the other.

Even the dullest story can be copy edited into a beautifully polished volume—but will readers keep turning the pages? A compelling plot sells more books than correct commas every time. On the other hand, a look at the Amazon reviews of any title reveals readers who simply can’t get past glaring errors and quality issues. A hot, unedited mess turns readers off before they’ve had a chance to be captivated by your fantastic story line.

Yet here you sit with only enough money for one edit. What to do, what to do?

What does each type of editing do?


content vs. copy editingDifferent editors use different terms for the types of editing involved in producing a novel. I’m going to use the terms I use in my own practice. If you’re curious to see how it all fits together, check out the stages of editorial revision chart on my website.

One of the simplest and most affordable content editing services I offer is a manuscript evaluation. It’s essentially a big, fat report outlining the strengths and weaknesses of your novel, and it’s a great choice if you don’t have the budget for a content edit.

As its name implies, a developmental edit (also often called a content, structural, or story edit) focuses on the content of your book—the story. You can expect to make significant revisions or even completely overhaul your manuscript during the course of a content edit.

Line editing focuses on the language you use to tell the story. (My line edits transcend and include copy editing, which I don’t typically offer as a separate service.) You get extensive edits and comments designed to polish your writing, strengthen your individual voice and style, and raise the quality of your prose.

Choose the right level of editing


There’s no one-size-fits-all answer to which type of edit will prove to be pivotal for your manuscript. That’s why I always begin the process with a complimentary sample assessment. A sample assessment helps me understand the amount and type of work your manuscript needs.

During a sample assessment, I’ll look over your manuscript as a whole and edit a small sample at the line editing level. We’ll talk about your editing and publishing goals for the book, your writing and revision process, and the story itself. If it’s apparent that your book isn’t quite ready for editing, I’ll recommend alternatives to help you get your manuscript where it needs to be.

Why you shouldn’t try to have it all


If your budget won’t budge and you’re forced to choose between editorial services, prioritize. Don’t try to cram multiple editorial processes together. Some editors will offer to do it; I’ve done so myself. The thing is, when you try to combine a content edit with a line edit, you’re trying to combine two processes that are at odds with one another by design.

A developmental edit is performed before revisions; indeed, the opportunity for revision is the entire point. A line edit, on the other hand, is a final polishing edit. Once the editor is done, you shouldn’t touch the manuscript further for fear of introducing new errors. Trying to accomplish both processes in a single round of editing is like putting a cat and a dog in a bag together and expecting no commotion to ensue.

Combining levels of editing inevitably degrades the quality of the end product. Editors who are looking for storytelling issues at the same time as they’re examining the language at the line level are multitasking. But editing is not a multitasking function; it demands immersion, focus, and precision. Your editor won’t be thinking about big-picture elements if she’s also thinking about word choice, styling, and grammar. Why spend your valuable editing budget in an attempt to get two services if you’re not going to get the best results from either one?

If this is your first book


If you’re a first-time author, I recommend doing everything you can to afford a full edit. First books are learning experiences. Authors call them “practice novels” and set them aside in a drawer, just like artists store experimental pieces that don’t go quite as planned.

But without a developmental edit or evaluation, you might not be able to figure out what parts of your story work and what parts don’t. Without a line edit, you might not be able to spot where your writing is still weak and flabby.

When you get both developmental and line editing for your manuscript, you open yourself to an intense, one-on-one coaching experience in both storytelling and language. Coming at your book from only one angle will limit the growth you can expect from the experience.

When you must choose between services


So back to the bottom line: you can’t afford a full edit. Which way do you go?

If you’ll be submitting your manuscript to an agent, it’s vital that your story be compelling. Don’t worry about copy editing it to perfection. Build a story that grabs readers and doesn’t let go.

If you’ll be self-publishing, you need both developmental and line editing—period. Publishing is a business, and if you release a substandard product, you’ll get substandard reviews and sales. But before you try to do it all yourself, talk with your editor. Peer review and crowdsourcing have their place, but a little flexibility can help you cobble together more professional results. I build custom plans for each and every client that pulls from all my available services—not only the edits we’ve talked about here but also coaching, revision reports, hourly revision, plot checkups, and more—to get you across the finish line with as polished a product as your budget allows.

Consult a professional editor. A good editor can help compare your priorities with your budget and the needs of your manuscript to help you get the most bang from your editing buck. I do complimentary initial consultations for every client so you’re assured of getting exactly the level of services your manuscript needs.


Nib_100How can I help you bring your book to publication on a budget? Email me at lisa@lisapoisso.com and let’s talk about the right editorial services for your manuscript.