September 28, 2015

Lisa Poisso, Book Editor

Editing Designed for Emerging Authors

 

I find that most people know what a story is until they sit down to write one.—Flannery O’Connor

If you’re a new or emerging author of fiction, you’re in the right place. As a book editor and story coach, I specialize in working with early- and mid-career writers.

My front-loaded approach begins with story coaching to help you transfer your ideas from your head to the page using both classic and contemporary storytelling and narrative techniques. Once your manuscript is on its feet, choose from developmental editing (story editing), manuscript critiques, and line editing.

 

Developmental and Line Editing

I will always remember, Lisa told me I had a ‘manuscript-length discussion of theme’ . . . all the icing and decoration but no cake! I needed to crack some more eggs. She has a great sense of humour, too!—J.C. Thomas

Developmental editing helps you expand and strengthen your storytelling and narrative technique. This type of editing covers effective use of point of view, dialogue tags and action beats, characterization, dramatic tension, exposition and description, theme, balancing scene vs. exposition vs. dialogue, transitions, hooks, scene structure, and more. This edit may also begin to address the flow and quality of the writing and help you hone your writing style and authorial voice.

Line editing zooms in on the writing. When you work with me, this paragraph- and sentence-level editing most closely compares to a combination of line editing and copyediting. It’s designed to polish your writing, strengthening your individual voice and style while clarifying grammar, spelling, punctuation, and usage.

DEVELOPMENTAL OR LINE EDITING IS FOR YOU IF:

  • Your manuscript has been fully revised through multiple drafts and is ready for professional attention. For help at earlier stages of development, please consider a partial edit or story coaching—keep reading for more options.

Partial Edit

A partial edit is an edit of an excerpt of your novel. I offer partial edits and critiques covering from fifteen pages to the first full quarter of your book (through the first story turning point).

A partial is like a short course in fiction writing technique, giving you hands-on feedback at a manageable scale. It’s an intense burst of feedback, with far more value than a prorated edit on a similar number of words from a full edit, because you’re getting big-picture feedback as well as details specific to the excerpt.

A first quarter edit, for example, provides much more value than a straight one-fourth of a full edit. You get global feedback on how you’re using point of view, narrative tense, dialogue content and mechanics, character arcs, character motivation and conflict, characterization, dramatic tension, pacing, writing style …

I learned so much during the process, and I am certain I’m a much better writer from having worked with her.—Karen Cimms

A PARTIAL EDIT IS FOR YOU IF:

  • You’re polishing your first pages for querying and submission to a literary agent.
  • You want to see feedback about your writing directly on the manuscript.
  • You’re a seasoned writer new to writing fiction and need help solidifying fiction-specific techniques.
  • You’re a new author who’s never worked with an editor before.
  • You’re still revising your novel and want to identify key issues to address in the next draft.
  • You’d like better editing rates and results based on knocking out major issues on your own first.

 

New ServiceReady Check

Early in your writing career, it’s hard to know if your manuscript is ready for editing. Even armed with a host of revision checklists and resources, how can you tell whether those things are an issue in your manuscript?

Maybe your story is slumping into a plot hole you hadn’t spotted, or the characters are tangled up in dialogue punctuation you haven’t quite sorted out. Issues like these make editing more time-consuming and expensive; you could be paying an editor to fix fundamentals you might’ve caught yourself if only you’d known.

Your Ready Check report outlines your manuscript’s key strengths and opportunities for improvement. It’s designed to show you whether your manuscript is ready for the deeper work of editing. (If you’re seeking to evaluate an edited manuscript for submission or publication readiness, you need a manuscript critique.)

Don’t spend hundreds or thousands of dollars on professional editing for a manuscript containing naive errors. Ready Checks are a budget-friendly option at $127.

A READY CHECK IS FOR YOU IF:

  • You’re a new author who’s never worked with an editor before.
  • You don’t want to invest in professional editing until you’ve knocked out the major issues on your own.
  • You’re not sure if your manuscript is ready for editing.
  • You’re still revising your novel and want to identify key issues to address in the next draft.

 

FAQs: Frequently Asked Questions About Editing

Your book is ready for editing if you've developed the manuscript as far as you can on your own and with the help of peer feedback. That's a much more extensive process than reading through the manuscript a few times to check grammar and spelling, tweak dialogue, and massage a couple of scenes.

Here's a more complete picture of what's involved:

It's a lot of work—I get it, I really do, and I'm ready and waiting for you at the end of that process.

Coaching is becoming popular as more authors realize the importance of the strongest possible start for their writing careers.

Story coaching is designed to help you develop a compelling story and tell it in a way that readers can't resist. We talk about your story idea itself and how it fits into today's marketplace. We examine the techniques and creative choices you've used to tell your story and consider other options to make the story tighter, deeper, or stronger. We work together to tune the plot, character arcs, and themes of the story. We may also hone techniques for scenes, point of view, dialogue, and more.



Story coaching typically comes in before or after your first (or an early) draft. It's not the sort of book coaching that walks alongside you as you write your book, which could be seen as a type of incremental editing. Story coaching shows you how to make your first draft do the work of several early drafts, getting you closer to an edit-ready manuscript earlier in your writing process.

Story coaching isn't the same thing as motivational or accountability coaching, which isn't part of my coaching services. Want to work with me on your story? Please arrive with your creative energies fully and amazingly ablaze.

Visit my coaching page for more details about story coaching.

You could—but I don't usually recommend it.

Many new writers figure they'll begin with a simple proofread—“just clean it up,” they’ll say. They want to see how the book does before they invest significant money, or they figure it’s not worth spending a lot of money until their books begin selling enough money to make back the investment in editing.

This is flawed thinking. A novel isn’t a weekend crafts project. This project will consume months or even years of your time as you vie to get noticed among the tens of thousands of books published every week. Welcome to Thunderdome—thousands of books enter, few books leave. Why waste your time and effort writing an entire novel with anything less than an intelligent, informed approach?

I love using the Plot Accelerator prior to drafting a book. Based on my experience, it results in faster, cleaner drafting and reduced need for major revisions and edits. Reader reviews of my first Plot Accelerator-planned book are a full star level higher than its predecessor, making it a valuable part of my process.—K.A. Wiggins

Not every author needs story coaching. If you’re a seasoned author who’s already mastered the techniques of storytelling and writing fiction, coaching or multiple rounds of editing could be overkill.

Even so, most of my established clients do use a compressed version of Plot Accelerator coaching before or after their first drafts. It's an invaluable way to ensure your story is on track.

In a word: Yes.

Pouring your time and editorial budget into line editing or copyediting a manuscript that’s not ready for prime time is a waste. I don’t want that for your book, and neither should you.

My initial assessment of your manuscript will help determine whether a manuscript critique or a developmental edit will be the best approach. Either way, I urge you to begin at the beginning: with your story. A manuscript critique or developmental edit will help you realize the potential of your book's story, plot, pacing, character arcs, themes, and narrative voice.

If your goal is to publish traditionally, you may not need to follow developmental work with a line edit or copyedit. Once you have a book deal, the publisher is responsible for copyediting the manuscript. In today’s spectacularly competitive marketplace, though, you may want every possible advantage to help your manuscript stand out from the slush pile.

Read: Should you have your manuscript edited before submitting it to agents and publishers?

If you’re self-publishing, it’s up to you whether you’ll be producing your books to the same standards of quality of an established publishing house. To publish a professional-caliber book, you'll need copyediting in addition to developmental editing.

Read: Types of editing—a primer

Line editing and copyediting are separate processes from developmental editing, and I offer them only to seasoned authors and manuscripts that are ready for that level of polish. If you’re a new client interested in moving directly into line/copy or comprehensive editing, please get in touch to discuss your story and situation.

Your book is as unique as you are, and I don't offer a one-size-fits-all fee or set range for editing. I'll assess and quote your project individually, based primarily on the type of editing and level of intervention that the manuscript needs. Longer manuscripts (more than 90,000 words) typically cost more to edit.

My fees align with the industry-standard rates published by the Editorial Freelancers Association. You can expect to pay something in the neighborhood of two to five cents ($0.02-$0.05) per word.

To arrive at your quote, we'll cover a lot of ground: your creative intentions for this story, the framework of your story and character arcs, your editing and publishing goals, your writing background, and anything else you think is key to understanding your book. I'll also review as much of your manuscript as is available.

Editing is most effective for fully revised manuscripts that have been reviewed by multiple non-biased readers. If your work is in an earlier stage of development, story coaching could be a better fit and a smarter use of your editorial budget.

An edit of several hundred words is included in my personalized proposal for you. Each comment is clearly labeled to show what type of editorial feedback it is, to help you see how each type of editing can strengthen your manuscript.

Your proposal also includes a page or more of feedback on your manuscript's current strengths and opportunities for development. This feedback typically includes observations on your story concept, genre fit, story structure, plotting and scenes, character arcs, point of view, writing quality, and more. You'll receive more than ample feedback to gain a clear picture of the issues I've identified in your manuscript and a good feel for my feedback style.

One caveat: Keep in mind that it's not possible to provide developmental (story-level) feedback without by definition considering the entire story—and that would mean evaluating the entire book. That's obviously not practical for a sample or proposal. Most comments and edits on an initial assessment address issues related to narrative technique or matters of line editing and copyediting. The best way to learn if I'd be a good fit as your developmental editor is to hire me for a Ready Check or story coaching first.

My specialty is story. I'll help you find your book's story, whether that's a thick, deeply internal story in the literary tradition or the explosive narrative of an action-adventure. I’m interested in characters overcoming significant problems and making remarkable journeys of change. I also enthusiastically work with plot-driven situational novels in action genres.

While my specialty is story itself rather than specific genres, your project will be squarely in my wheelhouse if it's upmarket, book club, or women's fiction; magical realism; historical fiction; and any flavor of thriller or suspense, action-adventure, or horror. I'm also experienced with and accept literary fiction and most flavors of romance and speculative fiction (sci-fi and fantasy). I accept short stories and memoir on a limited basis.

I do not work with slice-of-life, stream of consciousness, or experimental fiction, nor do I work with books resting on frameworks other than plot and story.

I am not currently accepting family or generational sagas, autobiographies or biographies, narrative nonfiction, children’s fiction (including MG and YA), RPG or gaming projects, or poetry.

Absolutely, although you may find what you're looking for on my success stories page or this account of how one client found the right editor.
Established clients automatically get access to Query Accelerators for authors querying for literary representation and Blurb Accelerators for self-publishers.

 

Looking for the On-Ramp? Try Story Coaching

Story coaching is the most effective on-ramp I know of to an edit-ready manuscript. Accelerate your ideas onto the page with short-term, high-impact story coaching. You’ll absorb the storytelling and writing techniques to fully express your creative intentions while sharpening and strengthening your story and writing in the process.

Most popularTHE STORY INCUBATOR: Three revelatory months of coaching—a Plot Accelerator, a Scene Accelerator, and a partial edit—to accelerate your manuscript toward an edit-ready draft. The insights and techniques you’ll gain during your Story Incubator will serve you for the rest of your writing career.

THE PLOT ACCELERATOR: Understand what makes a story work and how to apply those principles to your own manuscript. It’s been called a developmental edit in a bottle.

THE SCENE ACCELERATOR: How do you move from story outline and planning to scenes on the page? Take the mystery out of building effective scenes that propel the plot and characters to weave story.

 

Find out if

STORY COACHING

is right for you.

 

It’s none of their business that you have to learn to write. Let them think you were born that way.—Ernest Hemingway

 


Lisa Poisso, Book CoachThanks for reading all the way to the bottom. You rock.

Looking for an editor to accelerate your journey from new writer to emerging author? That editor could be me. Or maybe you want a story coach to steer you through story development and writing; I can help you with that, too.

If you’re ready to accelerate your novel, let’s work together.


Story coach, book coach, mentor, book editor, fiction editor, developmental editor, line editor, copyeditor, emerging authors, mid-career writers, new authors, new writers